The next step with the palette was applying two layers of gesso which prepares the surface by giving it texture and further helping the painting to stay on the surface and not be absorbed down into the wood. I tinted my gesso with a little blue and black acrylic paint to give myself a more neutral-valued ground to work on, and then applied it with a small roller to add a little bit of texture to the surface.
After the surface was prepped and fully dried, I started plotting out where the different features of the scene would sit on the palette. This was an important step since I was working with an irregular shaped substrate and, even though I did a few sketches beforehand, it looked different once everything was in the bigger scale. I ended up making some much needed adjustments during this phase.